Review of the first issue of Marvel's new Doom series by Ryan North, Francesco Mobili, and Frank D'Armata, offering a safe but beautifully executed tale of Doctor Doom's latest scheme.
Marvel Comics has long been synonymous with superhero storytelling, but the House of Ideas has always had a penchant for exploring the depths of its iconic villains.
Among these, none stand taller than Doctor Doom, the monarch of Latveria, whose complex blend of arrogance, genius, and tragic nobility has captivated readers for decades. The new series "Doom" #1, written by Ryan North with art by Francesco Mobili and colors by Frank D'Armata, aims to capture that complexity while serving as an accessible entry point for fans curious about the character ahead of his inevitable MCU debut.
The result is a solid first issue that plays it safe but delivers exactly what longtime readers expect: a smart, visually striking tale of ambition and hubris. North, known for his acclaimed run on "The Unbeatable Squirrel Girl" and the recent "Fantastic Four" stories, brings a sharp narrative voice that balances wit and gravitas.
His Doom is a man of immense ego and even greater ambition, and this issue wastes no time in establishing a compelling plot: inspired by a keynote speech from Reed Richards, Doom constructs a time machine to alter the past and transform Latveria into a global superpower. The premise is familiar territory for the character, but North adds subtle touches that elevate the storytelling.
For instance, Doom learns of the speech through a customized alert for any public appearance by Richards, a small detail that perfectly captures his obsessive rivalry. The issue is structured like a classic Doom story, complete with a grand scheme, heroic intervention, and a twist ending that promises to upend everything. While some readers might find the approach safe, it's undeniably effective.
North writes Doom with a regal confidence that never slips into caricature, and the interactions between the villain and the heroes who arrive to stop him are laced with sharp banter and ideological conflict. The true star of the issue, however, is the art team. Francesco Mobili delivers some of the finest artwork seen in a Doom comic in years.
His redesign of the iconic armor, with medieval-inspired arm and leg pieces, feels both classic and fresh, and his character acting conveys the subtle emotions beneath the mask. Frank D'Armata's colors are equally impressive, employing a rich palette that gives each panel a painterly quality. The action sequences are dynamic, but it's the quieter moments-Doom contemplating his plan, or the final reveal-that truly shine. If there's a weakness, it's that the story doesn't break new ground.
This is a Doom we've seen before: brilliant, arrogant, and ultimately undone by his own hubris. The issue doesn't establish a clear timeline in Marvel continuity, which might confuse some readers, but it's a minor complaint in an otherwise engaging read. The ending-a shocking twist that recontextualizes the entire narrative-ensures readers will want the next issue immediately. For fans of Doom, this is a must-buy.
For newcomers, it's an excellent introduction to one of Marvel's greatest villains. The creative team has crafted a comic that respects the character's legacy while delivering a visually stunning and entertaining story. It's not revolutionary, but sometimes a solid, well-executed take is exactly what the doctor ordered
Doom Marvel Comic Book Review Doctor Doom Francesco Mobili Ryan North
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