Valentino Spring 2025 Ready-to-Wear collection, runway looks, beauty, models, and reviews.
Well that was sensational! After a two year gap, Alessandro Michele was back on the runway today in Paris, the new man at Valentino . In his absence, fashion has fallen into a quiet luxury funk that we’ve all gotten so used to we didn’t realize quite how good his maximal, more-is-better vibes could make us feel. The mood was ecstatic as people left the show. This crowd is prone to hyperbole, but an overheard remark, “the king is back” had a ring of truth to it.
Michele had transformed the arena’s cavernous basement with loveseats, chairs, and ottomans shrouded in dust covers atop cracked mirror flooring. We were perhaps in one of those stately houses, excavating its hidden treasures or raising ghosts—Michele loves a metaphor, both visual and literal. Ambient music echoed through the space as it filled with the designer’s friends Elton John, Harry Styles, Florence Welch, Coleman Domingo, and Maneskin’s Damiano David.
He said he started by looking at pieces that impressed him aesthetically—“the very beautiful and light ruffles,” “the doll look that came from the ’60s and ’70s,” and “an ’80s power suit with a kind of sensuality that’s very démodé now.” If anybody can make the démodé modern, Michele can; after all, he did it once before, reshaping fashion and turning around Gucci’s fortunes with his inclusive gender-fluid vision for the brand.
Spring 2025 Ready-To-Wear Runway_Review Runway
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