Director David Fincher stands in front of two children from the show Love, Death + Robots.
In a horror genre where creators are constantly discovering new ways to scare audiences, it seems like studios love nothing more than putting a horrific spin on so many people's favorite time of year: Christmas. From demonic elves to rabid wrestlers, many films have re-imagined the holiday into something disturbing, with major effort being put in to turn the celebration's main mascot, Santa Claus, into something horrific.
Who Knew 'Love, Death + Robots' Could Be Festive? There are literally thousands of Christmas stories in the media today, with many of them following a basic formula that Love, Death, & Robots clearly enjoys corrupting."All Through the House" follows young siblings Leah and Billy as they fight sleep the night before Christmas, the duo delighting when they hear who they think is Santa Claus downstairs.
Posts 4 This is a seminal segment of the anthology series, with how its stop-motion style offers an inherently creepy vibe that only ramps up throughout, showing why animation is one of the best mediums for horror today. Yet beyond this superficial fear, where the episode really thrives is by somehow preserving the myth of Santa Claus amidst its horror.
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