Powerhouse Animation's David Howe, Samuel Deats, and Adam Deats reveal what's going under the hood of your favorite animated shows.
have reignited fans’ affinity for animation continuing to be an awe-inspiring medium teeming with visual clarity and fluid artistry. On the other hand, hotly anticipated shows like the long-delayedDetermining why some anime shows quickly lose their hype while others gain popularity can perplex the communities that voraciously consume it. Fans often speculate why certain shows receive more visual acclaim than others.
This is to say that the iceberg of animation goes deeper than the conversations folks have been having online, desperately trying to explain why shows look better than others and why Western animated shows like In the spirit of breaking through the noise, I spoke with Powerhouse Animation’s Samuel Deats and Adam Deats because of all the crazy compositing. They’re just doing a lot and it’s hard to manage that perfectly with ultimate precision. And I tell you, Ufotable does it better than most. They’re doing a great job at it, but every team has problems.
You’re constantly fighting against all the financial time, labor issues, and pressures. On top of that, there is the sort of conge-con, the desire for the industry to congeal and conform to old patterns of artwork because they have to work on so much. We all have to work on different shows that look similar, so you might have a specialized stylistic show, but the second it goes to an outsource partner, certain scenes come back and look slightly different. It’s just the way it goes.
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