‘Spencer’ Review: Kristen Stewart Transforms in Pablo Larraín’s Masterly Princess Diana Movie

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‘Spencer’ Review: Kristen Stewart Transforms in Pablo Larraín’s Masterly Princess Diana Movie
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“Spencer,” Pablo Larraín’s magnificent movie about Princess Diana and how she freed herself from the life she chose, the life that made her a star, and the life that was killing her, op…

,” Pablo Larraín’s magnificent movie about Princess Diana and how she freed herself from the life she chose, the life that made her a star, and the life that was killing her, opens with a sequence that’s staged, with a deadpan wink, to look like a thriller. At the Sandringham Estate, a preposterously large six-story country mansion that stands on 20,000 acres of the Norfolk Coast, a military convoy arrives, toting crates that look like they must contain oversize weapons.

In the movie, we see a princess, a woman of power and true majesty, who is treated like a child. Major Gregory, played by a disarmingly gaunt and severe-looking Timothy Spall, has been brought onto the premises to keep an eye on her, and his watchful gaze makes her feel like a pinned insect. And Diana’s lady-in-waiting, Maggie , is her one trusted confidante — but for that very reason, Maggie gets sent away. There can be no secrets. And there are none. At Sandringham, the walls have ears.

Yes, she has wealth, comfort, privilege, fame. But life within the gilded cage of the royal family is also stifling. As she explains to her sons, William and Harry , that’s because it’s a life that makes time stand still. “Here,” she says, “there is only one tense. There is no future. Past and present are the same thing.” What she’s talking about is an existence in which “tradition” is code for: what has been, and what always will be. There is no room for anything thattradition.

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