There is an especially very telling, and actually chilling scene in Spencer, Pablo Larrain’s brilliantly imagined portrait of Princess Diana (Kristen Stewart) facing the crossroads of a long …
) facing the crossroads of a long dead marriage during a Christmas holiday at the Queen’s Sandringham Estate. Prince Charles , stands in an ornate room at one end of a pool table while his wife Diana, clearly miserable and almost dead in the eyes, stands far apart at the other end. They areA reckoning has come in their marriage and her future in the Royal Family. Charles tries to reason with her and simply explains, “every one of us has two sides.
But Larrain has something very different, very intimate, and very revealing in mind here by taking us deeply into the head of Diana as she is clearly at the end of her rope having made the decision to divorce Charles, failing to even hide her misery and disdain for all the Royal circumstance trapping her in a life of which she has lost control, but is desperately trying to regain.
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