One Doctor Who Season 15 director has given a frank assessment of the BBC's now-finished partnership with Disney.
director Peter Hoar, who created the Season 15 story “Lucky Day,” airs his thoughts on the Disney+ era. Thepartnership between the BBC and Disney was supposed to be the best thing the show had ever had; returning showrunner Russell T.
Davies was the man responsible for the show’s 2005 relaunch, and now it finally had Disney money to make something truly amazing. But it all fell unexpectedly flat, and theto be a cautionary tale. “I don’t think anybody would doubt the skills at the front line of that show,” he observed. “But something went wrong. I think there were lots of areas you could point fingers at but ultimately it wasn’t a better show with more money. And that’s a good thing, because we haven’t got the money anymore, nobody has.”may be the world’s longest-running sci-fi TV series, but it’s traditionally been made on a shoestring budget . When Davies returned with a Disney budget to work with, Whovians assumed this was the show’s chance to shine. Instead, nothing quite worked; the scripts weren’t polished enough, character arcs were rushed, and some individual episodes just didn’t land. To be sure, there were some bold experiments in the mix, but it simply wasn’t enough. The core problem, of course, is that money is no substitute for creative vision. We may have come to theSeason 8 was one of the most expensive TV shows ever made, with each individual episode costing somewhere in the region of $15 million, but it’s still seen as an unsatisfying final season because of poor writing and narrative choices. Last year’shad a mammoth budget of roughly $645 million, but it was phenomenal because of writing and acting, not purely special effects.failed. The creative team focused on the opportunities given by the new budget, rather than on the actual character arcs and direction. It’s telling that viewers have actually created alternate watch orders for the last two seasons to try to improve the narrative, suggesting how stilted things became. Meanwhile, in contrast, some of the bestepisodes of all time – such as the iconic David Tennant story “Blink” – were Doctor-light and low-budget. Hopefully the show can learn from these mistakes.FX’s New Dark Sci-Fi Comic Book Series Is Coming to Hulu This Week The Rip Director and Cast Reveal How Ben Affleck and Matt Damon Made Filming an Action-Thriller So Easy
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