Movie icons shot by the legendary VF lensman—on view at Washington, DC’s National Portrait Gallery.
during the 1930s, infusing his Hollywood portraits with rich shadow, seductive light, and gobbets of sex appeal. A survey of his work, “at the National Portrait Gallery in Washington, DC, evokes a lost era of peak glamour. Hurrell’s images summon a time, deep in the throes of the Depression, when moviegoers were pining for icons whose onscreen lives might take them out of their own, if only for an afternoon.
Hurrell gave these stars outsize scale and otherworldly shimmer. And on occasion, as evidenced here, some of his subjects could convey such sultry incandescence that certain museumgoers with more frail constitutions may want to bring along a vial of smelling salts. Between the wars, many of his photographic peers preferred to render cinema’s giants in a sort of gauzy dreamland, butwas known for his facility with a new invention—the boom light—that gave his pictures a peculiar clarity and coolness, as if illuminated by moonbeams. That nocturnal cast and pinpoint sharpness transformed Hurrell from a mere creator of studio publicity stills into a master of glam.and other outlets through their bold, modernist images.
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