All About Photo reveals winners of AAP Magazine 55: Women, highlighting powerful work from photographers worldwide.
, a special edition dedicated to highlighting the work of women photographers from around the world. This issue emphasizes both artistic vision and the lived experiences of women, continuing AAP’s mission to amplify unheard voices.
, which explores hair as a symbol of control, identity, and resistance. The award-winning image portrays a young Afghan girl who fled alone to Pakistan, embodying both fragility and strength. Alessi’s long-term project also documents women working in secret in beauty salons under Taliban rule and Afghan refugee women using hair and beauty practices as a subtle means of learning and self-expression. By blending staged and documentary photography, her work highlights the body as a site of negotiation, where freedom is quietly asserted.. Her featured image captures Galina Lazareva, an 80-year-old Evenki craftswoman in Yakutia, Eastern Siberia, who single-handedly cares for her great-granddaughter. Through traditional embroidery and handmade garments, Lazareva passes on ancestral knowledge, connecting generations and preserving cultural identity. Saprunova’s work emphasizes the transmission of heritage and the resilience embedded in everyday domestic life.. The portrait of Cynthia depicts a matriarch at the center of her family in Africa, whose quiet presence holds together the lives of children, grandchildren, and community. Kollin’s photography brings attention to the invisible labor of women, showing how their care and stability form the backbone of familial and social structures., staged images highlighting the relentless daily labor of women collecting water in China Clay mines. Italian photographer Ezio Gianni Murzi revisits Carmelo Hospital in Mozambique, documenting HIV-positive mothers and children, and the long-term impact of compassionate medical care in under-resourced communities. In Romania, Ron Cooper’s portraits of elderly women living alone in rural villages emphasize resilience, tradition, and the sustaining role of faith. Other contributors explore themes ranging from urban life to personal identity. B Jane Levine captures candid street portraits in New York City, reflecting fleeting moments of connection. Aline Smithson elevates Los Angeles immigrants through staged portraits that recognize dignity, heritage, and transnational experiences. Donna Gordon’sseries combines portraiture with landscape to explore alter-egos and the evolving rights of women. Sebastian Sardi documents young women laboring in the brick kilns of Kathmandu, highlighting physical endurance and socioeconomic challenges.treats the body as a living archive shaped by inherited histories. Oksana Zhila’s self-portraits question identity and vulnerability after migration, while Leonor Benito de la Lastra experiments with photographic materiality, presenting images as fragments of lived experience. Cheryl Clegg examines the ongoing influence of Title IX through intimate portraits, connecting policy with human stories across generations. Ingetje Tadros highlights the cultural adornments of Fulani girls, reflecting lineage and continuity, while Mary Dondero’s digital montages explore patterns of harm in layered visual narratives.project, contributes to a broader conversation about visibility, resilience, and empowerment. Photographers Oscar González, Mandy Ross, and Justin Roque further explore cultural heritage, ritual, and memory across Cuba, India, and France.The top three winners received a cash prize of $1,000 each, and all winning photographs are prominently featured in the printed edition of. Together, the selected works offer a broad view of contemporary photography, spanning documentary, portraiture, and conceptual approaches while reflecting a wide range of personal and cultural perspectives.continues its commitment to elevating distinct visual voices and fostering a space where meaningful conversations around authorship, visibility, and the evolving role of women in photography can take shape.
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