Noah Cyrus Enchants Brooklyn Paramount

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Noah Cyrus Enchants Brooklyn Paramount
Brooklyn ParamountFleet FoxesMusic
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Last night, Noah Cyrus turned Brooklyn Paramount into a mist-drenched dreamworld. Dressed in Elena Velez and backed by a haunted forest, she floated through hits and new cuts from her just-released deluxe album, I WANT MY LOVED ONES TO GO WITH ME. A fairytale reclaimed, sung in real time.

It’s a Wednesday night and the Brooklyn Paramount feels more like a cathedral than a concert hall. Mist curls over the stage; mossy tufts peek through plumes of haze and a twilight forest stretches across a backdrop.

When Noah Cyrus emerges, draped in a sculpted gown by Elena Velez, hair cascading past her waist, she looks like she’d stepped out from between pages of a gothic fable, elemental and resolute. She floats, fluttering and twirling fantastically around her dark dreamland — her whispered reflections swelling into empowered declarations. The audience leans in. It’s a night of self-reclamation, of reconciling fragility and power, of witnessing an artist in full command of her past, present, and future. Hits the crowd knew by heart—“July,” “The Hardest Part,” “I Burned LA Down”—wove seamlessly into selections from her latest album,. Her stated themes of family, lineage, nature and reclamation were present in every detail of her music and performance. Whether she was singing of tangled roots or tracing the ache of a memory, it felt like she was mapping her own inner frontier in real time. On the album, guests, including Fleet Foxes, Ella Langley, Bill Callahan, and more, form a spiritual chorus: voices that widen the frame while still allowing Noah to remain its emotional anchor. And today, she’s widening that frame even further.is out now, featuring three previously unheard tracks: “Love Is A Canyon” , “If There’s a Heaven” , and the original demo of “way of the world,” recorded the same day she and longtime collaborator PJ Harding first wrote it. These additions don’t just expand the tracklist; they deepen the world she’s built, both onstage and off. If this is the forest she’s wandered into, we’re more than happy to follow.Story by Ivan Guzman / Photography by Jason Renaud / Styling by Chris Horan/ Makeup by Loftjet / Set design by Allegra Peyton Story by Ivan Guzman / Photography by Jason Renaud / Styling by Chris Horan/ Makeup by Loftjet / Set design by Allegra PeytonStory by Tobias Hess / Photography by Richie Talboy / Styling by Angelina Cantú / Grooming by Jerrod Roberts / Set design by Allegra Peyton Story by Tobias Hess / Photography by Richie Talboy / Styling by Angelina Cantú / Grooming by Jerrod Roberts / Set design by Allegra PeytonStory by Ivan Guzman / Photography by Richie Talboy / Styling by Angelina Cantú / Makeup by Kimora Mulan / Hair by Malcolm Marquez / Nails by Kimmie Kyees / Set design by Allegra Peyton Story by Ivan Guzman / Photography by Richie Talboy / Styling by Angelina Cantú / Makeup by Kimora Mulan / Hair by Malcolm Marquez / Nails by Kimmie Kyees / Set design by Allegra PeytonStory by Erica Campbell / Photography by Richie Talboy / Styling by Angelina Cantú / Makeup by Matthew Fishman / Hair by Jacob Aaron Dillon / Nails by Kimmie Kyees / Set design by Allegra Peyton Story by Erica Campbell / Photography by Richie Talboy / Styling by Angelina Cantú / Makeup by Matthew Fishman / Hair by Jacob Aaron Dillon / Nails by Kimmie Kyees / Set design by Allegra Peyton

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