Fede Alvarez speed runs through earlier Alien films in this uninspired sequel
canon a blatant remake. No, not a remake of any of the other eight films in the franchise but of his debut feature, 2016’s. Bunch of hard-luck twentysomethings, hellbent on escaping a dying industrial wasteland, decide they’ll pull off a heist from a remote ruin, only to be hunted down by a merciless, seemingly inhuman killer who hunts by sound and intends to use them for bizarre breeding purposes. In, their nemesis was Stephen Lang wielding a turkey baster.
The company still aims to add interstellar bioweapons to its product line, but for now it’s turning a profit off human exploitation , using old-fashioned company-store servitude to keep desperate workers under contract until they drop dead in the mine. That includes orphaned Rain , convinces her to steal cryo pods from an abandoned Weyland-Yutani space station, of course she’s in. And of course there are aliens there.
. For all the flaws of the final products, the filmmakers wanted to make their own contributions to the story, and that’s whyhas the longevity it has achieved. When James Cameron walked into that studio meeting and pitched a monster-hunting action flick as a sequel to the original’s survival horror, he kicked the story’s doors open. Alvarez has just made a patchwork quilt, and the stitching doesn’t always hold.
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