Louis Vuitton AW21 collection is a crash course in unconscious bias✈️ Inspired by James Baldwin’s ‘Stranger in the Village’, Louis Vuitton’s menswear collection is an ode to crossing borders and breaking down boundaries. See more:
menswear collection continued to explore those very notions of travel and escapism, both from the confines of our homes and the societal structures further afield. and was presided over by Saul Williams and Yasiin Bey , who both performed as models hurriedly crossed paths en route to their departure gates. The idea behind the collection was to explore the symbolism of the way we dress, and the biased presumptions we make about people based on their clothes.
There were nods to classical sartorial tropes: cowboy Stetsons, city-slicker tailoring, security-guard vests, collegiate varsity jackets, Cuban-link chains, pimp coats, quotidian denim and baseball caps. In other words, clothes that inherently signify an identity, uniforms that indicate a profession, clothes that are ciphers for who that person is and what they might sound like, what music they may listen to, or the beliefs they may hold.
Put simply, he sought to fuck it all up and re-contextualise the archetypal tropes -- his new versions are called “neotypes” -- playfully mismatching them to create a tapestry of idiosyncratic characters who can’t be instantly pigeon-holed. There was no one precise look, but rather a curation of individual styles and enigmatic characters, each one given the stamp of LV’s monogram, and decked out in ultra-luxe fabrics and blinged-out bags brightly emblazoned with aphorisms conceived by artist.
As one of the few Black designers at the helm of a major European house, the events in the months since his last show have not been lost on Virgil. Around the world,
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