Will Shanklin has been writing about gadgets, tech and their impact on humanity since 2011. Before joining Engadget, he spent five years creating and leading the mobile technology section for New Atlas. His work has also appeared on SlashGear, TechRadar, Digital Trends, AppleInsider, Android Central, HuffPost and others.
The developers explained how they laid the foundation for DK's first 3D adventure since the Nintendo 64 era. Everything in his environment can be smashed to bits. Not only is that a fun mechanic, but it also adds an element of verticality and freedom of exploration.
. The developers explained how they laid the foundation for DK's first 3D adventure since the Nintendo 64 era.. Everything in his environment can be smashed to bits. Not only is that a fun mechanic, but it also adds an element of verticality and freedom of exploration. That's an ideal fit for showcasing the Switch 2's processing power.As with so many other Nintendo creations, the first step in getting there was a no-brainer. Consult with Shigeru Miyamoto."We'd built up a lot of expertise in gameplay development for 3D action games through our work on 3D Mario games, including," producer Kenta Motokura said."But we needed to dive deeper into the fundamental question of 'What is Donkey Kong?' So, our first step was to seek out Miyamoto-san and Nintendo Executive Officer Yoshiaki Koizumi." In their talk, Miyamoto emphasized DK's moves like hand slaps and blowing. Along similar lines, Koizumi pointed to the ape's massive arms, which he uses to punch and hoist heavy objects. That got the team thinking. After all, who doesn't want to control a giant ape who runs around, breaking shit?Shigeru Miyamoto emphasized the move as a starting point for the new version.team was uniquely suited to handle that challenge. First, the 2017 title included some light environmental destruction. 's release. That included the adorably strange idea of putting smashing fists on a Goomba and setting it loose.On a technical level, the key to that mechanic is using voxels ."In, we started using voxels midway through development, so the areas where we could apply them were limited," Motukura said."But the trial and error we went through back then directly led to what we were able to do inAnother interesting tidbit from the interview is that they started working on the game as a Switch 1 title."We originally began developingon Nintendo Switch, but we ran into some challenges," Motokura said."I think it was around 2021 when we started to think about moving development to Switch 2." In the comparison image below, you can see a much richer environment in the Switch 2 version.Art director Daisuke Watanabe explained that the new console's hardware opened new doors."We first looked into how we could upgrade what we'd originally built for Switch to take advantage of Switch 2," Watanabe said."One of the most obvious improvements was that we could place far more objects in the environment than before. Being able to place more objects in the terrain didn't just enhance the game's visual richness. More importantly, it increased the amount of things players could destroy, which amplified the exhilaration of being able to demolish anything and everything." There are many more nuggets in Nintendo's interview. This includes animal transformations and Pauline's role in the game. The chat also explores how DK's modern art style evolved.
Shigeru Miyamoto Nintendo 64 Donkey Kong Bananza Donkey Kong Country Returns Yoshiaki Koizumi Super Mario Mario Games Nintendo Switch Odyssey
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