Tom Hanks as Geppetto tending to Pinocchio in the live-action Pinocchio remake
Tom Hanks has proven to be one of the most widely beloved and critically acclaimed American actors of all time, lending his talents to countless undeniable classics throughout each stage of his eclectic career. From all-time classics like Forrest Gump and Saving Private Ryan to modern critical darlings like A Man Called Otto, there is simply no end to the number of exceptional outings in Hanks's filmography.
✕ Remove Ads While the original novel that The Da Vinci Code adapts worked wonders in terms of an enthralling and unpredictable mystery, Robert Langdon's ventures simply don't translate to film particularly well. The film is tirelessly bogged down by an onslaught of overwhelming setpieces and dynamics, introducing wild plot threads and mysteries all on top of each other to the point of making the film feel bloated.
✕ Remove Ads Hanks plays a relatively small role in the film as psychology student Elliot, as he uses his knowledge and perspective on the mind in an attempt to give insight into the protagonist and the mental toil she's dealing with. Hanks doesn't even end up being murdered by the slasher villain in the film, leaving the film as quickly as he enters and leaving a minimal impact on the story as a whole.
*Availability in US Release Date July 1, 2011 Director Tom Hanks Cast Tom Hanks , Julia Roberts , Bryan Cranston Runtime 98 Minutes 6 'The Bonfire of the Vanities' Directed by Brian De Palma While Hanks is most commonly remembered for playing an array of lovable characters, American heroes, and overall rootable characters, Brian De Palma's The Bonfire of the Vanities has Hanks playing the complete opposite character.
While both The Da Vinci Code and Angels and Demons certainly had their fair share of issues and contrivances, Inferno takes the cake when it comes to creating not just a boring thriller experience, but an actively aggravating one. The film doubles down on the most chaotic and idiotic aspects of the previous films in the trilogy, telling a story that falls apart at the seams they second you consider its possibilities outside a surface level.
Dungeons and Dragons was at some of the heights of its popularity and pop culture awareness during the 80s, yet it was also the subject of much persecution and confusion by older generations, creating strange attempts to take the game down like Mazes and Monsters. For what ended up being Hanks's first leading role, the film is unlike anything else that Hanks has ever been a part of, growing more and more comically poorly aged and out-of-touch as the years go by.
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