10 Essential Movies to Understand What Great Editing Looks Like

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10 Essential Movies to Understand What Great Editing Looks Like
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Tom Hardy as Max and Charlize Theron as Furiosa in Mad Max: Fury Road

Just about anyone can appreciate and enjoy movies. As an art form, movies have the power to transport viewers to different worlds and tell fantastical stories that could only exist on the big screen. They challenge conventions and defy expectations, making audiences dream bigger. As entertaining as movies can be, it's sometimes easy to forget how much work goes into creating them.

Lawrence of Arabia is a sweeping war epic, the scale of which is nearly impossible to quantify. Much of it simply needs to be seen to be believed. Perhaps the most impressive aspect of Lawrence of Arabia is its pacing. This is nearly a four-hour adventure, yet it never drags or grows tiresome.

One can always count on Stanley Kubrick movies to deliver when it comes to technical prowess, and The Shining is no exception. This horror classic is edited in ways that enhance the creep factor, from the quick cuts to the gradual escalation of pace toward the movie's harrowing climax. When it comes to the edit, every creative decision works wonders on both a subliminal and technical level. The Shining is a legendary piece of filmmaking, and its legacy will only keep improving.

*Availability in US Release Date November 21, 2007 Cast Kelly Macdonald , Woody Harrelson , Josh Brolin , Javier Bardem , Tommy Lee Jones Runtime 122 minutes Writers Ethan Coen , Joel Coen &#x2715 Remove Ads 4 'Mad Max: Fury Road' Directed by George Miller The apocalypse has left the world a barren desert wasteland.

At any angle one could approach Goodfellas, one takeaway is certain: it's an immaculately constructed piece of work. Many remember Goodfellas for its engaging screenplay or career-defining performances, but it's the flawless editing work that is the glue that brings all these elements together. Edited by long-time Scorsese collaborator Thelma Schoonmaker, one of cinema's most celebrated female editors, there are no faults to be found in her work on Goodfellas.

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