Lamberto Maggiorani and Enzo Staiola in Bicycle Thieves
Italian neorealism was a hugely influential film movement that emerged in the aftermath of World War II. Rooted in the economic and social struggles of that era, neorealism sought to portray the harsh realities of everyday life, often focusing on the working class. The watchword for the movement was authenticity. Stylistically, these filmmakers aimed to present an unfiltered vision of society, achieved with the use of non-professional actors, natural lighting, and real locations.
✕ Remove Ads This is classic neorealist stuff, with a focus on ordinary people under social and financial pressures. The simplicity of Il tetto is what makes it so effective. Despite the small-scale story, the limited cast of characters, and the lean 91-minute runtime, director Vittoria De Sica still manages to turn the film into a broader social statement.
Director Luchino Visconti decided that the real people living there would do a better job of this than any actors, telling their stories with a compassionate touch and a focus on emotional complexity. ✕ Remove Ads The finished product is introspective and contemplative, using the volcanic backdrop as a mirror for Karin's growing despair and suppressed frustration. The raw, unpolished cinematography by Otello Martelli amplifies the starkness of the setting. The rocks, waves, and solidified lava flows practically become characters in their own right. However, the real highlight here is the intense, committed performance by Bergman.
*Availability in US Release Date October 8, 1945 Cast Aldo Fabrizi , Marcello Pagliero , Harry Feist , Anna Magnani , Maria Michi , Francesco Grandjacquet , Vito Annichiarico , Ákos Tolnay , Joop van Hulzen , Carla Rovere , Giovanna Galletti , Nando Bruno , Eduardo Passarelli , Carlo Sindici , Turi Pandolfini , Amalia Pellegrini , Alberto Tavazzi Runtime 103 minutes Writers Federico Fellini , Roberto Rossellini Expand 3 'La Strada' Directed by Federico Fellini "What a strange...
2 'Umberto D.' Directed by Vittorio De Sica ✕ Remove Ads "I have my pride, but it's all I have left." Umberto D. is a portrait of an elderly man's struggle to retain his dignity in the face of poverty and isolation. The title character is a retired civil servant living in Rome who battles to keep his modest apartment on a meager pension. His only companions are his loyal dog, Flike, and Maria , a compassionate housemaid.
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