Robert Lee is a senior author at Collider who focuses on modern movie releases and animation, as well as both the best and worst films in a genre.
It has become increasingly apparent that the modern era of filmmaking has been defined by the rise and dominance of streaming services and the original content that they provide. Netflix has especially been at the forefront of this endeavor, producing many original films from a variety of genres compared to the other services. Netflix has especially excelled in animation, a medium that is largely overlooked by other platforms like Amazon and Max.
Nightmare of the Wolf features a lot of the same writing, storytelling, and worldbuilding that made The Witcher one of the best fantasy series of the last 5 years, yet only amplified by the exceptional 2D animated action on display. Its story also works wonders as a standalone story, not requiring any prior knowledge of the franchise to be able to fully enjoy its fantasy elements and story of self-growth.
While the exceptional rotoscope visuals are a clear highlight that helps carve out a signature identity for the film, the major staying power and strengths of A Space Age Childhood come from Linklater's signature humanist storytelling. The film acts like a direct look into the past, complete with charm and whimsy, blemishes and all, for the era, with an inherent love and respect for the generations of the past.
Ultraman: Rising finds the perfect balance between being a love letter to long-time fans while also evolving the character to new heights, creating an accessible story for those who have never heard of him. The film features breathtaking animated fight sequences that make the most out of modern animation, with colorful visuals and striking setpieces that live up to the legacy of Ultraman.
The Mitchells vs. the Machines is one of the most beloved and successful projects from producers Phil Lord and Chris Miller, with the same quirky style of humor and stylized animation that has made their recent works such a hit. The film acts as a beautiful love letter to the chaos and creation that happen during youth, slinging everything against the wall and simply having fun with making things, no matter how weird.
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