The British Museum is hosting an exhibition of the Bayeux Tapestry, an 11th-century embroidery depicting the Norman Conquest. The exhibition features a flat-display requirement and 40-minute peak-time slots priced at £9 each. The exhibit is expected to attract more than a million visitors and will be enhanced with digital elements.
Sacre bleu! It's going to cost an arm and a leg for those wanting to see the Bayeux Tapestry when it comes to Britain. The 230ft-long masterpiece will cost visitors up to £33 to view – but they'll have to be happy looking at it laid out flat.
There are concerns that the 11th century tapestry, which depicts the Norman Conquest, has weakened over time from being hung from a rail. The British Museum in London is billing its exhibition as a 'blockbuster' cultural event and hopes to attract more than a million visitors when it opens in September. But 40-minute peak-time viewing slots will be up to £9 more expensive than the museum's other recent premium exhibitions when tickets go on sale in July.
Dr Nicholas Cullinan, director of the British Museum, said: 'The Bayeux Tapestry is one of the most important surviving works from the medieval world and an extraordinary account of a defining moment in our history.
'Since we first announced this historic loan, we have been committed to ensuring as many people as possible can see it. ' The exhibition will feature digital elements to bring the story to life and visitors will see an illustrated manuscript which was likely to have been used by the tapestry's creators.
A scene from the Bayeux Tapestry, which depicts the Norman invasion of England in 1066 It will cost attendees between £16.50 and £33, while families will be able to take under-16s free of charge. In comparison, tickets at the Bayeux Museum in Normandy, which closed for renovation last year, were no more than 12 euros . It is the first time since its creation 1,000 years ago that the tapestry will be displayed in Britain.
But more than 77,000 people have signed a petition to prevent it being moved from its home. David Hockney, considered Britain's greatest living painter, has been a vocal critic, saying it would be 'madness' to transport it, adding: 'Some things are too precious to take a risk with. Moving the Bayeux Tapestry is one of them.
' Dr Cullinan said: 'While we understand these concerns, the museum has a world-leading conservation and collections team who are experts at handling and caring for this type of material. ' The Bayeux Tapestry is one of the few surviving visual records of the Norman Conquest. It tells the story of William, Duke of Normandy's invasion of England and his victory over King Harold at the Battle of Hastings in 1066.
The work is believed to date from the late 11th century, within years of the battle itself. Its exact origins remain debated, but many historians believe it was commissioned by Bishop Odo of Bayeux, William the Conqueror's half-brother, and probably made in England.
The tapestry depicts 58 scenes showing Harold's fateful journey to Normandy, his oath to William, the appearance of Halley's Comet, the mustering of armies and the bloody climax at Hastings – where Harold is said to have been killed by an arrow to the eye.
Bayeux Tapestry British Museum Norman Conquest Conservation Measures Exhibition Price Digital Enhancements
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