This article explores the life and legacy of Zsa Zsa Gabor, a renowned actress and socialite known for her captivating personality, comedic timing, and unapologetic approach to life.
Sometimes I look back and I wonder how the whole thing happened. How I became who I have become. How I managed to live so many lifetimes, to love and be loved by so many men, to survive so many adventures…yet still be Zsa Zsa. Zsa Zsa Gabor —star of films like Lili and Moulin Rouge, thousands of late-night talk shows and countless National Enquirer covers—was one of the gamest camp figures of the 20th century.
With her nine husbands, famed bon mots (“macho doesn’t prove mucho”), and dripping diamonds, this beautiful Hungarian fireball was famous for being famous decades before the Kardashians appeared on the scene. From the moment she burst onto screens with her first appearance as a guest on the 1951 talk show Bachelor’s Haven, Gabor’s masterful comedic timing and improvisational abilities were often overlooked due to her outsized persona and romantic exploits. With her equally intoxicating sisters Eva and Magda (who boasted twenty marriages between them), she poked fun at the sexual mores of a staid era and lived by her own code. Unsurprisingly, Gabor’s 1991 autobiography, One Lifetime Is Not Enough, is an easy-breezy must read, filled with frothy fables that go down like expensive champagne. What lurked in her darkest moments (which biographers believed included bipolar disorder) is not discussed, leaving the reader to revel in her eye for the absurd and her snarky sauciness. Gabor paints herself as a tough, talented tease whose rules for life include useful advice like “when in trouble, take a bath and wash your hair,” and Hollywood gossip one should take with a grain of salt as big as the Hope Diamond. “From the start,” she writes, “I luxuriated in having an audience, making people laugh, in binding them to me by all manner of spells.” Empress In Training “We were born to be special, born to be queens and empresses, to marry the crème de la crème, to personify perfection,” Gabor writes of herself, her older sister Magda, and her younger sister Eva
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