Jane Schoenbrun directed ‘We’re All Going to the World’s Fair,’ “disappeared for two years, and came out a girl.” Then they made ‘I Saw the TV Glow,’ a trans allegory by way of ‘Are You Afraid of the Dark?’ and ‘Buffy.’
The 37-year-old director can handle minor hazards. Schoenbrun, who uses they/them pronouns, makes enigmatic art films that double as analogies about the transgender experience. Their debut narrative feature, 2022’s We’re All Going to the World’s Fair, was a restrained psychodrama about a lonely teenager who takes part in an online role-playing game said to distort participants’ bodies.
” Schoenbrun positions I Saw the TV Glow’s provincial misfits within a lineage established by Stephen King, Steven Spielberg, and Stranger Things. They even got Emma Stone, who produced the movie, to email the owner of a Westchester house where the director used to hang out, hoping to get permission to revisit the basement.
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