You Asked: cinematic TV sizes and 4K Blu-ray-quality digital downloads

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You Asked: cinematic TV sizes and 4K Blu-ray-quality digital downloads
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On today’s You Asked: The differences between HDMI 2.1, 2.1a, and 2.1b? Why 4K Blu-ray-quality digital downloads don’t exist? Best screen sizes for achieving a cinematic experience at home? Plus, TCL’s Bruce Walker joins Caleb in the studio.

You Asked Each week, we'll hand pick some of the most commonly asked questions and answer them as concisely and helpfully as we know how. Updated less than 0 just now ago Table of Contents On today’s episode of You Asked : What are the differences between HDMI 2.1, 2.1a, and 2.

HDMI 2.1b basically added some stability fixes for the source-based tone-mapping feature that came with HDMI 2.1a. The closest thing to owning the digital download version of a 4K Blu-ray is through Kaleidescape — they make high-end home theater movie servers. But those downloads are proprietary, and so is the equipment you must use to play back those digital files. It’s not like you can play it back using your PC or through a media server like Plex.

Cinema experience at home Will writes: You recently covered some really big TV screens. In your experience, considering typical domestic room sizes and average viewing distances, what screen size really starts to feel like a cinema experience? Now, that calculator isn’t concerned with resolution or whether you can see pixelation or any of that stuff — it’s about occupying your field of view in a manner that is similar to what you might experience in a commercial movie theater. But keep in mind that even in a commercial theater, there is a sweet spot, sure, but you may be farther away than “ideal” if you sit in the back, or closer than ideal if you’re sitting in the front.

Bruce: It was really fun. It was a watershed moment for us. You know, when we were talking to members of the media and people at CES, saying, This is going to be one of the brightest Dolby Vision TVs on the market this year, the general response was, “Yeah, right. We’ll see.”Caleb: From my seat, it seemed like that set off a bit of a shift in the product planning. So, what was that like at TCL?

Bruce: So, the overarching picture is that we make every component that goes into a TV set. Your audience, the tech-savvy people out there, might say when they see a TV, “Who makes the panel for that TV?” Bruce: The middleman markup? Exactly. Because we’re making it ourselves. Our panel manufacturing facility, CSOT, makes our panels for all the TVs we talk about. Because we make it ourselves, we can pivot and say, “Oh, 98-inch TVs are hot now.” We can make 98-inch panels and now we make more 98-inch panels than any other panel manufacturing facility in the world. And because we make it ourselves, we’re not paying a middleman markup, and we can bring incredible value to the market.

Caleb: Correct me if I’m wrong, but I believe TCL was the first brand to release a mini-LED television, right? And with QD being LED, you get things like our own HEXA mini-LED chips for incredible brightness. But also, Pirelli famously once said, “Power without control is nothing.” So we make all this incredible brightness, but we’ve also got our own in-house designed and manufactured UWA ultra-wide-angle lenses that take all that light and steer it to the front of the cabinet.

So you not only get incredible bright whites, but you’ve measured specs that outperform what we claim they do: deep, rich blacks. You get an incredible grayscale, so you get great shadow detail. And if I heard you correctly, you can individually address every single one of those mini-LEDs, right? So it’s not like you put a cluster on one board and can just turn that board on and off. You can actually turn each individual light on and off.Bruce: We’re in the golden era of TV sets.

Caleb: We’re back to the whole, “There is no middleman charging markup on all these different parts.” You can actually make it in a way that others simply can’t.

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