Yoko Ono was villainized as the woman who destroyed the Beatles. Fifty-three years later, a new generation of women is looking at the way Ono was treated in a new light. From jessicagelt:
, a creative community and festival that celebrates and connects women-identified artists, leaders and voices.
“I look forward to the day when this is commonplace, but a production that brings 75 women into a major cultural institution is still unique,” Bulbrook said in an L.A. Phil office. She was joined by Rees as well as Shruti Kumar, the composer and producer who did the musical arrangements for the show, and singer Marisol “La Marisoul” Hernandez from theThe women drank coffee and talked about the kismet way “BreatheWatchListenTouch” came together.
That too seemed to happen naturally, the women said. Ono’s music and art can be unique and challenging. It is open to interpretation, and it is often not complete until audience members weigh in with their own thoughts. But there is a unifying theme: love. “There’s such a universality to this music,” Kumar said. “People want to think about these beautiful messages. The opportunity to engage with this art in this political climate has been very welcome for all the artists.”The process of putting the show together has lasted more than two years, Rees said. The instant that the idea of a Fluxus festival came up, it was obvious that Ono had to be included. Five pieces by her have been performed as part of the festival since it launched last year.
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