Showrunner Dean Lorey and star Sean Gunn break down why Max's adult animated show is a must-watch.
Starting over is never easy—a truth further amplified when the revamp in question is a major event in pop culture. It’s surprising, then, that one of the first projects that DC is releasing under the guiding hand ofstar Sean Gunn and showrunner Dean Lorey to learn more about how the show came into being and what they hope its legacy will spell for the future of the DC Universe.stands as the first foray into the new DC era under the guiding hand of James Gunn.
Weasel is such a weird character. He’s almost like a big dog, so I have this very narrow range of noises and sounds that Weasel can make. He doesn’t speak human words, and he growls and squawks and squeaks and purrs, and does all kinds of little things like that. Trying to deliver an emotional performance through that, I find, to be challenging., which I really appreciated. I also wanted to do a voice as well and James had mentioned me for GI Robot early on.
There’s also the element of us having a shorthand for communicating with one another that makes it easy. There’s always a learning curve when working with a new creator. As an actor, you have to get on common ground and make sure that you can speak to one another, and James and I already have decades of that in the bank.
io9: What are recording sessions for Weasel usually like? Do you need to have honey and tea at the ready? Or are your vocal cords war-tested to make all those noises?We laugh a lot as Weasel cause I’ll get directions that are kind of like, “Well, Sean, I’m sorry to say this, but can you do a longer, slower lick?” and things like that. But I’m up for it. I just make sure I warm my voice up and lots of water.
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