The debut album from Lindsey Buckingham and Stevie Nicks just before they joined Fleetwood Mac has been out of print for years. Cunningham and Bird revived it while making it their own.
Singer-songwriters Andrew Bird and Madison Cunningham’s new album, “Cunningham Bird,” is a track-by-track reimagination of the 1973 album “Buckingham Nicks,” the debut by singer-songwriters Lindsey Buckingham and Stevie Nicks, and a record which prompted Fleetwood Mac to invite them to join the band. started to sing and play at the Troubadour one night at the end of September, the audience listened in rapt attention.
Singer-songwriters Madison Cunningham and Andrew Bird’s new album, “Cunningham Bird,” is a track-by-track reimagining of “Buckingham Nicks,” the 1973 album by Lindsey Buckingham and Stevie Nicks, who soon after were invited to join Fleetwood Mac. Cunningham and Bird did a rare smaller venue show at the Troubadour in West Hollywood on Sept. 30, 2024, playing the new album in full and then a set of each others songs.
Singer-songwriters Andrew Bird and Madison Cunningham’s new album, “Cunningham Bird,” is a track-by-track reimagination of the 1973 album “Buckingham Nicks,” the debut by singer-songwriters Lindsey Buckingham and Stevie Nicks, and a record which prompted Fleetwood Mac to invite them to join the band. Singer-songwriters Andrew Bird and Madison Cunningham perform their new album, “Cunningham Bird,” at the Troubadour in West Hollywood, on Monday, Sept.30,2024.
“He explained why, you know, that it’s out of print,” he says. “It’s difficult to hear it and it’s a great album. And it all lined up. The original album arrived in 1973, Bird notes, “at that inflection point of the end of the hippie era, beginning of this sort of prog rock god. It very much is in that realm, but there’s a little bit of, like, Cat Stevens feel to it as well.
“We cleaned up it a bit in some ways rhythmically but also added our own harmonic ideas, and messed with some of the perspective on who’s singing what and to whom, gender-wise. Because we both believe, like, what’s the point of covering a whole album if you’re going to feel beholden to it?”Bird, who has never met Buckingham or Nicks, came to admire them more from his deep dive into the album.
Why “Buckingham Nicks went out of print decades ago and has never even been released on CD remains a mystery. “I don’t know,” Bird continues. “It’s just sometimes that leads to a kind of stagnancy of, ‘This is classic and should not be touched.’ Whereas folk tradition, jazz tradition, there’s jazz standards, there’s old ballads that get done and redone hundreds and hundreds of times. Like, why shouldn’t this stuff be allowed to live in a living tradition?”“Usually what excites me about covering a song is the thought that I could turn people onto something that they haven’t heard,” he says.
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