UP AND DOWN THE HALLS OF HAIR AND MAKEUP AT MARC JACOBS | 90 models and 50 dancers. How patmcgrathreal and GuidoPalau approach a dizzying number of faces that express themarcjacobs’s world of beauties embedded in the blueprint of New York | V:
for a natural texture. I’ll pull it down to a deep side part, a boyish thing, lots of black headbands. It does nod to the ’90s and ’60s. It’s about the richness to the women and a realness to the women.- a non-fragrant hairspray to hold things in place. It’s just a Marc Jacobs show. They’re all the women I love as well.”
But let’s not forget the 50 dancers who were getting their rehearsals in on the mainstage while Pat McGrath’s second in command gathered the artists with a strategy for the final touch ups. “Do you guys have body lotion? Make sure it’s oil free. No Beyonce legs. We don’t want shiny shimmery, glittery, gleaming legs. It’s about a chic sheen.” We’re only powdering their forehead and the side of the nose. Leave the cheekbones alone. Cheekbones should look like skin.
As the first show was finished and adrenaline pulsed through the halls, I left the Park Avenue Armory through the back entrance a few steps behind Stephen Jones. “Does anyone have a lighter? Yes? No? Anyone?” My heart skipped a beat as my mouth squealed like a little girl. “Meeeeeee. I will bring you fire. I will bring you ice. Anything you need.” We shared a cigarette, coming down from the adrenaline of the show. We chatted about the individuality of each look and his approach to head pieces.
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