Producing partner of director Ruben Östlund also tells THR about filming on an island famous for its nudist beach, and why filming on an expensive yacht is not that easy.
, I feel that they are connected, and it was liberating when we started to think about casting the film. We felt like if we only do castings in Sweden, we really haven’t done our job. We need to go to Norway. We need to go to Denmark. Ruben always uses meetings with actors as a way of developing the film because he also really loves to discuss the material with them. The art world is international, and I live in Stockholm, so on a daily basis, I speak to someone in English.
Harris was quite early, and he was a bit younger than we had originally thought of, but he made such an impression. But we couldn’t really give anyone the part until we had met them all. Like a job interview, all over the world. And with Dolly [de Leon], [casting director] Pauline [Hansson] and I were sitting in the office in Stockholm, and first we met with all the Filipino actresses who lived in Sweden. But we hadn’t found someone who has some uniqueness [to] them.
She was a trouper, a very easygoing, cool person. We were all talking about who this character could be, and then someone said, “That sounds like Charlbi.” Ruben told me a lot of money was spent on the yacht. Was there ever any other yacht in consideration?
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