The star of the TIFF title 'Butcher’s Crossing' discusses how, after 40 years in front of the camera, he’s still searching for that perfect role: ‘It’s like capturing lightning in a bottle’
and I can say I’m just starting to get close to that experience I felt in the cinema when I was 14 watching James Dean or Brando, that’s my goal.
Fortunately for me, when I started we didn’t have the internet and didn’t have phones with cameras. You couldn’t get famous simply by making a spectacle of yourself on a red carpet or being on reality TV. That shit didn’t exist. You had to have some real talent to get anywhere or to be noticed — that was a fact. But today, anyone can be famous.Bad Lieutenant: Port of Call New Orleans
I kind of infamously said I was the Californian Klaus Kinski. I was trying to embody that energy when I went to work for Werner inand I really wanted to come at him the way I would like to imagine Kinski did, to get something like a spark with Werner. I have subsequently thought that Werner was a little hard on Klaus Kinski myself. I’ve seen his own documentary where he was obviously pretty upset about some of the stuff that was leaked, if you will, about him. And I have no qualms.
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