Toon In: Animated TV Highlights for June, from Ultraman Rising to Zombies: The Re-Animated Series

June is stacked with more incredible animation, from the latest Ultraman adaptation hitting Netflix to Snoopy and Zombies, too.

TV, where we’re highlighting some of the best premium animation projects on streaming or direct-to-video aimed for teens and adults. This monthly column not only provides an overview of the new animated series to check out, but we’ve also collected some of the finest creators and voice talents in the medium to give updates, or introductions, to their series.y, turned out to be.

The episode does end with two major cliffhangers. One, with the five friends getting on the boat to get answers about who is behind the dinosaur black market. And two, that Brooklynn shocker. “You find out that maybe Cabrera wasn’t as smart as he thought he was,” Kreamer teases about the big brains of the operation. “So, who is The Handler working for? It was a fun way to bring this season to a close while also giving us some direction about where we’re headed.

But maybe most important was licensor Tsuburaya Productions being very open to Tindle’s unexpected approach to telling a contemporary Ultraman story. “We had such incredible partners at Tsuburaya with Takayuki Tsukagoshi and Kei Minamitani and Masahiro Onda,” Tindle explains. “They supported our big swings.”

He adds, “You can throw all the nostalgia at me that you want in a film or TV show. But if I don’t care, I don’t care,” Tindle says of why he wanted an unconventional father/daughter story at the heart of the film. “Anytime I’m asked questions about references to , that is cool and fun. And we have plenty of references like that, but I don’t care about it. What I care about is are you going to connect with the characters? Our role was always that we want this to feel like anfilm to fans.

Périn says to do so they went to actual futurists and scientists to find out where on Mars humans might create a functioning society, and then to programmers and other experts to posit how hacking and future robotics ethics might play out. Périn says the sequence that he feels best represents the mixed styles, and the complexity of the making of the film is the car accident that puts Aline and Carlos in mortal danger. “I like it because it was very difficult to make,” he says. “It’s the sequence where all the studios had to work together. The movie was made with five different studios. For this, we had one studio for the background in 3D, another for the cars and the robot in 3D, and there was also 2D animation in it.

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