Michael Keaton smirking in Beetlejuice Beetlejuice combined with Astrid looking terrified
Summary Beetlejuice Beetlejuice is an epic thirty-six years in the making, and it introduces the next generation of the beloved Deetz family. After the passing of patriarch Charles Deetz, Lydia brings her daughter Astrid to Winter River, where she accidentally opens a portal to the Afterlife and heralds the return of Betelgeuse. Tim Burton came back to helm the project, this time with a screenplay penned by Smallville's Alfred Gough and Miles Millar.
Tim Burton Strove To Make Beetlejuice Beetlejuice Like The Original – Whatever That Means “I didn't even watch the first one, because I didn't really understand why it was a success to begin with.” The comedy was so relevant and on par with today. Can you talk to me about how some of that dialogue came about?
Kevin Polowy: It feels like such a seamless continuation of the original in large part because of the visual style and practical effects. What can you say about how much you wanted to mirror your approach to the original, especially when you have such new bells and whistles? I was reading a lot about how the live effects and the puppets allowed for spontaneity on set. With that in mind, what scene changed the most from script to screen?
Tim Burton: Scary s--t, man. We didn't rehearse, we didn't do anything, right? He comes on, and it was truly like demon possession. It felt like a time warp. You're right, it was unnerving. It was great, and it was exciting, but it was really also disturbing. Tim Burton: My whole career, people said, "This is too dark," which I never saw my film as dark. I've seen much darker films than my films. I don't really know what they're talking about, you know what I mean.
But she's really integral to this because she's our entrance into this world. She's kind of the anchor of the film. It is actually really a story about her, if you really want to boil it down. Her and her mother. She's a really beautiful addition.
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