‘Till’ Review: Danielle Deadwyler Is Shattering as a Mother Whose Grief Helped Galvanize the Civil Rights Movement

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‘Till’ Review: Danielle Deadwyler Is Shattering as a Mother Whose Grief Helped Galvanize the Civil Rights Movement
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Director Chinonye Chukwu follows ‘Clemency’ with this account of Emmett Till’s lynching and the resilient woman who channeled her pain into the fight against racial injustice, premiering at the New York Film Festival.

. It conveys pure scorn in the form of address used by white supremacists in the Jim Crow South to intimidate and demean Black males of any age. It shudders with vulnerability in a newspaper headline announcing that an abducted 14-year-old’s corpse has been found in the Tallahatchie River.

It burns with anguish as a mother tells the world of her son’s mutilated body: “That was my boy.” It carries bitter irony in the cheerful sign welcoming visitors to the Mississippi town where Emmett Till’s murderers were acquitted by an all-white, all-male jury: “Sumner: A Good Place to Raise a Boy.”

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