‘Thirteen Lives’ Is Old-School Hollywood Filmmaking at Its Finest

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‘Thirteen Lives’ Is Old-School Hollywood Filmmaking at Its Finest
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'Even with knowledge of its outcome, 'Thirteen Lives' thrums with mounting anxiety and dread—a testament to Ron Howard’s you-are-there aesthetics.' Read nschager's full review:

), the former a retired firefighter and the latter an IT consultant with a young son. More importantly, they’re peerless cave divers. Volanthen is introduced making his initial call to Stanton, informing him that they’ve been placed on a list of possible experts by Thai authorities, and during this exchange, Stanton’s reticence and gruffness and Volanthen’s craftiness and empathy shine through.

Simply making it to the boys, who are alive and starving in a distant grotto, is yeoman’s work that comprises the first half of. Trickier still, though, is the question of how to safely extract them. By this point, Howard has imparted the various difficulties of this endeavor, from vigorous currents and consuming darkness to the futility of pumping water out of the cave and the minimal benefit of diverting rainwater from the region’s mountainside .

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