Five years ago, South African director John Trengove’s feature debut, “The Wound,” scored coveted berths at Sundance and Berlin before being short-listed for an Academy Award — even as the powerful…
), who inducts him into a libertarian masculinity cult, even as his repressed desires — suddenly awakened — push him toward a terrifying descent into violence.
And then someone gave you Angela Nagle’s “Kill All Normies,” about the online culture wars that brought us the Trump presidency.
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