Theater Season Hotspots: Productions Tackle Depression, Racism, Identity, and Healing

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Theater Season Hotspots: Productions Tackle Depression, Racism, Identity, and Healing
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This winter, theater productions across the country are tackling important social issues through compelling stories. From plays exploring the impact of depression to satires on societal injustices, audiences have a chance to engage with diverse perspectives and powerful narratives.

Theater has the capacity to inform, inspire, educate, and change lives for the better. There's great power in storytelling, and this winter season, theater houses are staging potentially potent productions — rolling world premieres, adaptations, and classic tales. Many deal with pertinent issues: depression, racism, identity, and healing.

Here are 15 productions to consider, from SpeakEasy Stage Company and Front Porch Arts Collective’s “Ain’t No Mo'” to the second installment in Mfoniso Udofia’s Ufot Family Cycle, “The Grove,” at The Huntington.\An estimated 5% of people worldwide experience depression, a common mental health disorder where people lose interest in pleasurable activities and experience mood changes, according to the. Duncan Macmillan’s “Every Brilliant Thing” centers on a family affected by depression and a 7-year-old who makes a list of things in life that are worth celebrating. Apollinaire’s production of the play, which has reportedly been staged in over 60 countries, is directed by Danielle Fauteux Jacques. The show is performed by two different actors on alternating nights and will also offer performances in Spanish, with the last one on Jan. 17.\In Jordan E. Cooper’s satirical play, the U.S. government offers Black Americans a free, one-way ticket to Africa to curb racism. The show, which enjoyed a stint at the Belasco Theatre in 2022 (making Cooper the youngest Black American playwright on Broadway), features a drag queen flight attendant, Miss Peaches, who is in charge of greeting and ushering journeying Black folks to Gate 1619. Acted out in a series of comedic vignettes, the narrative explores Black American life and identity. Front Porch Arts Collective’s Dawn M. Simmons directs. From left: Dru Sky Berrian, MaConnia Chesser, Kiera Prusmack and Schanaya Barrows in SpeakEasy Stage's production of 'Ain't No Mo'.' (Courtesy of Nile Scott Studios)\A father is left to raise his two daughters alone after losing his wife in Lynn Nottage’s “Crumbs from the Table of Joy.” Godfrey copes by digging deeper into the religious teachings of a spiritual teacher, Father Divine, who demands a strict existence. Under their father’s thumb, the two teenagers, Ernestine and Ermina, distract themselves with daydreaming, movies, and sweet snacks. But soon, the arrival of their rule-bending, rebellious Aunt Lily and the appearance of a German woman named Gerte change their lives completely. Nottage’s memory play will be directed by Tasia A. Jones, who will also helm Mfoniso Udofia’s “Her Portmanteau” play in the UFOT family cycle this spring. Madison Margaret Clark and Thomika Marie Bridwell in Lyric Stage Boston's production of 'Crumbs from the Table of Joy.' (Courtesy Mark S. Howard)\It’s a battle of wills in August Wilson’s play “The Piano Lesson.” Two siblings, Berniece and her brother Boy Willie, are at odds over what to do with the family piano that was carved by an enslaved ancestor. Should it be kept in the clan to honor their past as Berniece wants, or should it be sold for cold hard cash to help secure their future, as Boy Willie desires? As the two squabble over what should happen, they dig into their past and discover some shocking details. Wilson’s 1987 play — adapted into a 2024 film directed by Denzel Washington and available to stream on Netflix — explores history, inheritance, and identity. The play was awarded the 1990 Pulitzer Prize for Drama and was nominated for Best Play at the 1990 Tony Awards. The show, presented in partnership with Hibernian Hall, will be directed by Christopher V. Edwards, ASP’s artistic director.\Amid a fictional war in Cape Town, South Africa, Michael K and his mom make a perilous journey to the home of her youth, Prince Albert. The play, written and directed by Lara Foot, is an adaption of J.M. Coetzee’s 1983 Booker Prize-winning novel of the same name. In the show, marionettes — courtesy of the Handspring Puppet Company — are used to depict Michael K and his mom as they seek to avoid the war’s turmoil. In this Baxter Theatre Centre and Düsseldorfer Schauspielhaus production, Michael K discovers his purpose on this voyage to his mother’s homeland. Actors onstage during a production of 'Life & Times of Michael K.' (Courtesy Baxter Theatre Centre and Düsseldorfer Schauspielhaus)\A pair of Indigenous ghost siblings, Ash and Aaron, have been biding their time by haunting people who try to move into their house, dancing to the music of the past, and wondering when, if and how they will make it to the spirit world in Tara Moses’ horror comedy “Haunted.” Promising to play the coolest Y2K hits, the play aims to push people to consider the land and the relationships we have or don’t have with Native communities. “Haunted” will be produced in partnership with the Boston Public Library and will be directed by Moses, a Seminole/Mvskoke playwright

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