Someone — or something — is killing young women in the sleepy town of Snow Hollow. The situation is worse than that, actually: The insidious lupine assailant rips off their limbs, separates their h…
Someone — or something — is killing young women in the sleepy town of Snow Hollow. The situation is worse than that, actually: The insidious lupine assailant rips off their limbs, separates their heads, and leaves a gaping hole where their most intimate parts ought to be. Ghastly as that sounds, “” treats these murders as a joke.
Cummings’ characters come with baggage, and watching the actor wrestle with his demons is something of an acquired taste. My advice to you: Try to acquire it before you see “The Wolf of Snow Hollow,” because attempting to adjust to his wavelength in this context is a mostly frustrating prospect. Cummings became a minor cult-movie figure on account of his prior feature, “Thunder Road,” in which he played an unstable cop working through some serious family issues while on the job.
“Wolf” wants the mystery to center on what kind of sicko is killing these young women, but other questions loom even more urgent: What is the killer actually doing to his victims? Why is Cummings being so coy about showing either the crime or the corpses? And just how many nights does a full moon last anyway?
That’s sort of Cummings shtick, carried over from the previous film, in which he seemed to be undergoing a slow-motion meltdown: Like a low-rent Vince Vaughn, he’s constantly shouting at people and/or threatening violence, as in the AA meeting where he’s introduced. John stands up and shares with the group that sometimes he feels like renting a backhoe and letting it tear through his ex-wife’s house.
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