‘The Whale’ Review: May the “Brenaissance” Continue Beyond Darren Aronofsky's Film | Venice 2022

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‘The Whale’ Review: May the “Brenaissance” Continue Beyond Darren Aronofsky's Film | Venice 2022
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'The Whale' runs counter to any attempt at empathy and instead, it feels like gawking. But it is Brendan Fraser's comeback. Our VeniceFilmFestival review:

Brendan Fraser was one of the biggest movie stars for a solid decade. His disappearance was sudden, but it perhaps didn’t register because he was a different type of movie star. He was likable. There was no method acting, bad boy drama. And the movies that made him famous were easily likable, too, without being arthouse favorites. Attentions drift to headline makers and new thunderbolts who balanced complicated fare with blockbusters.

COLLIDER VIDEO OF THE DAY Fraser plays Charlie, an English teacher living with extreme obesity. He conducts online lectures with his camera off. He has a set routine, which includes regular visits from his caretaker, who has ties to his past , and Dan, the pizza delivery guy who follows the regular instructions of delivery — leave on the ledge, money is in the mailbox. His routine is disturbed by two young people. An unwanted visitor and a desired visitor.

The best moment is when Sink’s mother arrives, questioning the contact that was made because she has full custody . It’s a single scene between Samantha Morton and Fraser. It’s the best scene in the movie because it’s the least predictable. There’s time to reflect, to pause in a doorway to make an offering. And the area to explode through years of shared shattered expectations. Morton, too, was more of a mainstay in the early 2000s and has faded into lesser roles.

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