The Row spring 2026 men's and ready to wear collection review: Intimacy came to the surface in the brand’s roomy relaxed tailoring and exquisite textures.
In a time where the boundaries between the intimate sphere and the social media-driven public gaze feel blurrier than ever, The Row mined that territory to great effect in its coed spring collection.being The Row, there was nothing shapeless about the long-sleeved T-shirts and knee-length pants in lightweight ribbed slub jersey, or a nearly sheer slip skirt with a linen front and silk back.
While Ashley and Mary-Kate Olsen made them eminently fit to be seen, they could just as easily be layered under the relaxed tailoring of the season. With cuts a tad more oversized and, dare we say, slouchy than in previous seasons, a modern athletic twist emerged from the lineup.Constructions and textures had the in-depth minutiae that is par for the course in the powerhouse Ashley and Mary-Kate Olsen built. To wit, an ash brown suit cut from silk canvas held the fine line between tailored precision and a liquid feel on the skin. That same impression of polished breeziness emerged from tailored separates cut from parachute silk, where trouser hems were pulled closer to the ankle with a discreet pleat and stitch. Other standouts included men’s shirts with detachable collars, playing on the boundary between formal and not; a little black dress with a simple apron front and a dramatic cowl neck at the back; pencil skirts with hook closures running up from the hem to make them less constricting; and whisper-soft cashmere sweaters. Although the spring season continued the at-home feel at play in the brand’s fall offering, there was also the sense of being ready to nip out at any time for the right occasion. A dash of options that skewed toward the evening, at home or elsewhere, was also on display in the lofty rooms of their Paris headquarters. A substantial coat in a changeant velvet that was produced on a machine dating back from the 1950s — not that one needed to know that to appreciate its lushness — was juxtaposed with silk shantung pajama sets and a long quilted jacket. Double-silk slipdresses, some with whisper-thin lace running along the neckline, had satisfying heft. Accessories did not disappoint, with sandals that felt barely there but had just enough padding in the bed to make them a comfortably chic option, or a cohort of pouches in buttery napa leather. There also were more high-heeled shoes for women, a further expansion of the brand’s extensive footwear offering. Rounding out a collection that reiterated The Row’s position as a brand fueled by superlative crafts was a bag made of woven leather hand-tooled to achieve a raffia-like look, among the highlights of the room dedicated to its expansive purse offering.Queen Camilla, Zara Tindall and Princess Beatrice Stick to Neutral…. We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google. We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the GoogleWWD and Women's Wear Daily are part of Penske Media Corporation. © 2025 Fairchild Publishing, LLC. All Rights Reserved.
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