REVIEW: Ireland’s nominee for Best International Feature should, in a just world, be up for Best Picture. Do yourself a favor and see it as soon as you can.
The whiff of economic hardship, institutional despair and free-floating misery, the kind so often associated with a certain strain of Irish literature and memoirs, hovers over the proceedings before the movie slightly pivots. Because Cáit’s parents can’t be bothered with her, they decide to send her away for the summer.
Then the movie begins to gently guide us through their situation as well. “There are no secrets in this house,” Eibhlín tells their young ward. But there has been tragedy, and a lot of emotional rawness and grief have passed through those halls.
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