'The Peasants' Review: 'Loving Vincent' Creators Outdo Themselves

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'The Peasants' Review: 'Loving Vincent' Creators Outdo Themselves
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DK Welchman and Hugh Welchman bring Polish culture and art to life in stunning fashion.

In 2017, directors DK Welchman and Hugh Welchman released Loving Vincent, a tremendous undertaking that includes 65,000 frames of film which were oil painted by hand to look like the work of Vincent van Gogh. Loving Vincent was a remarkable testament to the incredible painter, bringing his work to life in a fascinating and stunning way unlike we’d ever seen before in a film that rightfully earned an Academy Award nomination.

Naturally, this causes a huge disruption in both relationships, as Jagna is outraged with his father’s choice in a new wife, whereas Jagna has no interest in marrying Boryna. To make matters worse, Boryna’s children are worried about their father giving away their land to this woman of possibly questionable morals. What follows is a story of a person becoming defined by the public’s perception of her, as well as a haunting love triangle that shifts and turns in horrifying and upsetting ways.

'The Peasants' Is a Towering Achievement of Animation Because of this approach to Reymont’s novel, The Peasants feels like a more adventurous challenge than Loving Vincent. It’s one thing to recreate incredibly famous works of art in telling van Gogh’s story, but it’s certainly more of a challenge to take Poland’s predominant artists and turn a lesser-known novel into a showcase of these Polish artists’ awe-inspiring work.

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