Sam Zimmerman, the curator of Shudder, is king of the feel-bad movie.
Samuel Zimmerman searches for all manner of scary delights to show on Shudder, the only true streaming service dedicated to horror. July 30, 2024 at 6:00 a.m. EDTAsk him for a movie recommendation, and you might find your stomach turning as you watch a woman bite a man’s eyeball out of his skull and spit it into another man’s mouth, which causes the receiver to choke to death. Maybe you’ll shut your eyes as a clown repeatedly stabs a woman before pouring bleach and table salt into her wounds.
in which a guy pulls a woman’s head through her stomach from behind, with a hook. Yeah, it’s confusing. It has earned a reputation among horror fans as “the pretzel kill.” He chuckles while talking about a large dog that bites a young girl’s head and shakes her to death like a rag dollAt the same meal, he lights up about how he loves cuddling his 1½-year-old son when the boy can’t sleep.We have different definitions of “warm and comfy.
On to State University of New York at Purchase, where he continued trying to touch the void while fellow cinema studies majors — disciples of Godard and Truffaut — side-eyed him for being so interested in a genre that was considered as lowbrow as it was lucrative.“Even when horror has been popular, the sentiment around it hasn’t been,” he says.
Just don’t not call him an expert. Even though he averages a movie or two a day, Zimmerman balks at the term.Still, he’s seen enough to rise to one of Shudder’s primary challenges: how to get people to watch this stuff. Nearly half of Americans claim to hate it — there are! — but its fans are often addicts, flocking to any interesting new release.
Nobile agrees, saying: “Thanks to Jordan Peele on one end of the spectrum and thanks to Sam Zimmerman on the other end of the spectrum, where he’s putting movies like ‘Skinamarink’ on TV, there’s a wider spectrum of budget, tone, voice, vibe of horror than there’s ever been in the history of motion pictures. There’s every sliver of horror under the sun right now.”
“Thanks largely to Sam Zimmerman, they have turned into an aspirational destination for independent filmmakers,” Nobile says. For proof of how much the service respects said filmmakers, he says, “they might be the only service I have where the end credits run, where there’s no option to skip or not giving you a countdown clock to the next thing.”
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