'The Man From U.N.C.L.E.' Was the Henry Cavill Franchise That Should Have Been

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'The Man From U.N.C.L.E.' Was the Henry Cavill Franchise That Should Have Been
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'The Man From U.N.C.L.E.' was the Henry Cavill franchise that should have been.

Although opinions diverge drastically on the quality of the films that he was in, Henry Cavill is generally regarded as having been a pretty great Superman. Some may have enjoyed Zack Snyder’s moody, pessimistic take on the iconic character more than others, but Cavill perfectly captured the inherent goodness that defines the “Man of Tomorrow.” Cavill’s run as Superman was handled messily by the studio, and now it seems like that chapter of his career is closed.

It’s no surprise why Cavill’s name is thrown around so frequently for the role of James Bond, as his natural physique and winning smile embody the charisma that defines 007. However, The Man From U.N.C.L.E. allowed Cavill to not only show off his charismatic nature but show a comedic side that few Man of Steel viewers would have realized he had.

Cavill’s confidence is the perfect way to kick off the film; he’s smart enough to fit within Ritchie’s snappy tone, but he makes a few critical mistakes and gives us hilarious reactions. Solo can’t help but react with personal disappointment or a nod of confusion if any of his gadgets screw up, or if his Russian pursuer gets any closer.

Cavill’s relationship with Vikander onscreen fares much better; although Solo is a womanizer, he doesn’t try to flirt with Gaby or distract her from her mission. Any casual flirtations he makes are just inherent to his personality, and there’s a sign of respect he shows to the young woman that he’s forced into the world of spycraft. She has to learn about her father’s past and the secret conflicts behind closed doors, and Solo thankfully gives her room to adjust.

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