It isn’t rare to see a love-it-or-hate-it movie; every awards season brings one or two of them. Last year we had “Green Book,” this year we have “Joker.” (I’m tempted …
It isn’t rare to see a love-it-or-hate-it movie; every awards season brings one or two of them. Last year we had “Green Book,” this year we have “Joker.” “,” the movie that invites us to deplore the evil actions of the Nazis but adore the cuddly comedy of seeing them turned into over-the-top fops and fools, looks, at a glance, to have inspired a textbook case of love-it-or-hate-it divisiveness. That was true from the moment the movie premiered at the Toronto Film Festival in September.
We have an image of the hipster. He’s generally a dude , and he wears this sort of glasses and T-shirt and facial hair, and lives in this or that buzzword neighborhood , and drinks this brand of beer, and is religious about this kind of indie rock and that sort of hip-hop, and is caustic about everything else except, you know, superhero movies , but he somehow has a meta-cynical way of guilty-pleasuring that into the diagram of his cachet.
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