This article explores the enduring influence of Bram Stoker's 'Dracula' on vampire mythology, comparing it to the 1922 silent film 'Nosferatu'. While acknowledging the legal battle over the film's unauthorized adaptation, the piece emphasizes the striking similarities between the two narratives, from the enigmatic Count residing in a remote castle to the vampire's westward journey and pursuit of a woman.
It’s interesting to trace back the roots of vampire lore in modern culture. Stories of blood-sucking demons predate modern sensibilities, of course, but it was Bram Stoker’sthat inspired how we think of vampires more than any other work of literature or art.
Ellen’s entire life has been a nightmare, haunted by Orlok and his diabolical lust. When she’s left by Hutter, soon after their honeymoon, she descends into a madness that confounds her friends and the local doctor, Wilhelm Sievers . She’s given ether and tied to the bed. It’s only when Professor Albin Eberhart von Franz is brought to see her that anyone even believes her maladies could be of a supernatural variety.returns here and brings some of his best work yet.
Orlok is left mostly shrouded, his hulking frame bound in furs and shadow. Sometimes, he is only shadow, long taloned fingers creeping across a wall or curtains, or down Ellen’s face and figure.
Admittedly, this is not a film for everyone. For fans of Eggers’ previous work, there is much here to bite off and chew, but to newcomers it might be overly strange or too slow or simply confusing. Those unaccustomed to the horror genre may find it altogether too disturbing. The tone may not resonate with everyone. At times it feels almost like a stage play or a melodrama, the way that classic films often do, though I believe this is intentional.
VAMPIRES LITERATURE FILM NOSFERATU DRACULA
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