“As the world gets crazier and crazier, it certainly feels like there is more need for this story.'
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In 2005, Richard Hellesen and David de Berry developed a new adaptation, which the company continues to use."Our set is now like a Victorian postcard and the clothes are very elaborate," Copenhaver explains."It's trying to represent all stratas of society in Victorian England. From the people down at the bottom that have no means whatsoever to the people in society who are well off.
For Powell, the play’s message remains vital in today’s world. “As the world gets crazier and crazier, it certainly feels like there is more need for this story,” he notes. “When I was first speaking to the company the other night, social justice came up, and that expression has never come up before when working on this show but this year I feel like we've got to remember that everybody has a story. We have to try to understand and meet people where they are and fight for social justice.
Embrey, who is back as the Ghost of Christmas Present for the third year in a row, comes up with new ways to revitalize his character. “Keeping this role fresh is not that difficult for me, because he’s such a jolly character,” Embrey said. “There’s lightness and darkness to all of the ghosts, but I love making big choices with this role."fresh and vibrant. “The design has certainly grown and morphed over the years,” he said. “We’re always adding new pieces and retiring old costumes.
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