The Showtimes series stars Emma Stone and Nathan Fielder as hosts of a home renovation show. But that’s just the springboard for the cringe comedy and Lynchian twists that follow.
, a 10-part series that’s the apex of cringe comedy, a bizarre satire of home improvement shows , and a nightmarish portrait of marital dysfunction and individual and professional insecurity, bitterness, need, and hatred.
There’s no way to properly stress the sheer strangeness of this out-there affair, nor to prepare audiences for the surprises it has in store. Led byin what may be the finest performance of her career, it’s simultaneously choke-on-your-laughter weird and squirm-inducingly terrifying, the two climaxing in a finale of mind-boggling insanity. initially appears rather straightforward.
In this marriage, Whitney leads and Asher follows, and that especially goes for their eco-friendly mission, which extends to a variety of endeavors—a coffee shop, a jeans store—that they’ve launched in order to give back to the community. Whitney is the embodiment of liberal allyship run amok, her performative do-gooder behavior delivered with an earnestness that can’t mask the fact that everything she does is really about making herself feel and look good. She needs to, as it turns out, since she’s the offspring of parents who have been tarred and feathered in the press for being “slumlords.
Nala’s supposed hex winds up involving Whitney and Asher with her family, led by Abshir , and it casts a dreadful pall over the proceedings. Whether something paranormal is afoot is kept oblique for most of the series’ 10 hours, and while an apparent answer materializes in the finale, that closing episode is so astonishing and outlandish that it’s destined to inspire debate about what’s taken place—once, that is, viewers have picked their jaws up off the floor.
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