As Mack publishes Sofia Coppola’s first-ever book, we list off the artistic references behind six of the director’s films – from the paintings of John Kacere to the photographs of Tina Barney
, Coppola seized the opportunity to go big. Presenting a sorbet-hued spectacle of period opulence – shot in the Palace of Versailles with a crew of 100 people –traces the last queen of France’s teenage years in the lead up to the French Revolution. The story is, however, chiefly about a young woman making her own way in a family of prominence, and in many ways Coppola quietly saw it as a kind of self-portrait, having always felt like she had to step out of the shadow of her father.
She drew upon many personal references to bring the feature to life, from the pomp and panniers ofThe film’s opening, set to the thrashing energy ofby Gang of Four, was inspired by a photograph of a woman lying on a silken chair with a maid at her feet, shot by legendary French fashion photographer. The decadent film, much like Bourdin’s provocative work, divided audiences when it was first released, but has since gained canon status.
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