In the “American Psycho” musical, the songs by Duncan Sheik don’t quite rise to the challenge, but the Monumental Theatre Co. production is provocative nonetheless.
Americans just can’t stop obsessing about serial killers, from the true crime likes of Dahmer and Bundy to fictional counterparts like Hannibal and Dexter.Patrick Bateman, who first came on the scene in Bret Easton Ellis’s relentless, divisive novel, and got pushed further into public consciousness courtesy of Christian Bale’s memorable movie performance in 2000.
Actors weave their way through cocktail tables surrounding the small stage platform, and lighting cues urge audience members to temporarily relocate to make room for the action. We’re even urged to cover our shoes with disposable booties, in case we get seated in a blood-spatter “splash zone.” Dalsimer makes for a remarkable Bateman — he’s suitably menacing, offers a strong, guttural vocal performance and particularly excels at drawing the humor and magnetism out of the character’s deadpan observations. His charisma is effective in generating an uncomfortable amount of empathy for a merciless psychopath.
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