The Financial Review’s film critic selects his (possibly controversial) pick of 2023’s Best Picture Academy Award nominees.
Advertisement, both these films have received lukewarm treatment during the awards season, which is a poor reflection on industry tastes and priorities. The British virtually ignored, but the French have gone wild for the film, recognising that it is not simply the autobiography of a successful director, but a celebration of the power and wonder of the cinema.proved to be just as impressive in a completely different register.
, neither of which would be on my shortlist. Baz Luhrmann’s glitzy bio pic of Elvis Presley is less of a horror show than his previous two features, but – as usual – hardly more than a cartoon in which every character is a caricature and the story a collage of disjointed episodes. It’s alarming that Austin Butler, the young actor who plays Elvis, has been scooping the pool for Best Actor during the awards season, as it’s not a role that calls for any great depth or subtlety.by Daniel Kwan and Daniel Scheinert has been the surprise of the season, being nominated for no fewer than 11 Academy Awards. This is outlandish for a film that blends several genres into a messy, hybrid action-comedy, and ultimately collapses into a sentimental heap.
. Not only is it a more thrilling ride, it’s blissfully free of artistic, social or philosophical pretentions. In fact, it’s a nostalgic reminder of those Hollywood movies in which the United States was the heroic defender of world freedom. Nowadays, it’s more common for Hollywood to portray America as a land of violent bigots and fanatics.
As for the movies that didn’t make the short-list, the two most glaring omissions are the British films
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