The 50 best albums of 2019 so far — including Lizzo, Vampire Weekend, Billie Eilish and more
was an ambitious artist crafting a self-consciously wide-scale pop statement and, coming just six months later,is just a woman and a mood, taking that mood out for a drive until she pedal-to-the-metals it right off a cliff. What a glorious pop rush it is—the album version of one of those emergency break-up karaoke sessions with a few therapeutic hours of Mary J. Blige and Toni Braxton songs.
. The music indeed feels touched by King’s white-girl Laurel Canyon soul, but maybe more by Harry Nilsson’s tender, hooky wit. Lewis channels Brian Wilson’s sun-kissed doo-wop on the title track — with a sly pun on letter-sweaters and a winking reference, perhaps, to “Caroline No” . Elliott Smith gets namechecked on “Heads Gonna Roll,” the Go-Go’s perky new wave shines from “Rabbit Hole,” Fleetwood Mac’s heady harmony-builds bloom on “Red Bull and Hennessy.
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