A Rolling Stone editor and self-admitted non Taylor Swift fan reviews the ‘Taylor Swift: The Eras Tour.'
before she launches into her nearly dozen studio albums, but after she points to parts of the crowd to see how loud they’ll scream, when she looks into the audience. “This is getting dangerous, it’s about to start going to my head,” she says, absorbing the energy around her. “It makes me feel so powerful.”I was here to observe in a Midtown AMC on a Saturday morning.
Next, she starts into her set from Fearless, an album released when she was just 17. Now 33, she still owns these songs, tapping into the ambivalence of adolescence, the fear of being genuine while grappling with the first strings of adult desire. People in the theater are opening up, singing along, dancing in their seats, and filming on their phones as if they are at an actual live show. . The nerve this is hitting with the crowd does not seem to exist within me. I look at my watch.
And truly, I almost did. I found myself coming to terms with the idea that maybe it was OK if I didn’t get Taylor Swift. But something about her ten-minute acoustic rendition of “All Too Well” keeps me in my seat. Suddenly, that Honda zooming around Williamsburg seems like a million years ago. She’s standing in the middle of the stadium, in little more than a sequined minidress and platform boots, playing guitar, overthinking flashbacks of a relationship.
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