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How Dan Farah Fulfilled His Own Curiosity About Non-Human Intelligent Life With His Documentary ‘The Age Of Disclosure’ — SXSW Studio How Travis Gutiérrez Senger Follows In East LA Art Collective’s Footsteps By Taking Control Of Latino Storytelling In ‘Asco: Without Permission’ — SXSW Studio How Marc Maron Reconciles With His “Pathologically” Self-Reflective Journey In ‘Are We Good?’ — SXSW Studio ‘Drop’: Chris Landon, Meghann Fahy & Brandon Sklenar On Their One-Room Thriller About A First Date Gone Wrong — SXSW Studio H.
E.R. Dissects The Artistry Of A Musician “Ahead Of His Time” In Her Feature Directorial Debut ‘The Makings Of Curtis Mayfield’ — SXSW StudioWhy Amy Wang Chose A Vulnerable, Searing Body Horror Film For Her Directorial Debut With ‘Slanted’ — SXSW Studio Why Ramy Youssef & Creative Team Explore The Post-9/11 Climate “Through The Eyes Of A 12-Year-Old” In ‘#1 Happy Family USA’ — SXSW Studio Eiza González On Teaming With Buddy Aaron Paul For Sci-Fi ‘Ash’ & Diving Into That “Black Hole Of Discovery Of Complete Discombobulating” – SXSW Studio ‘Happy Face’ Inspiration Melissa Moore Reveals Why She “Put My Story Out There” About Serial Killer Father — SXSW Studio ‘Magic Hour’s Kate Aselton & Husband Mark Duplass Wrote Haunting Marital Drama About “What Would Happen If We Lost Each Other” — SXSW Studio
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